In February and June, I was working with Georg Hobmeier, writing an opera libretto based on the writings of Alan Turing, using TensorFlow-Char-RNN recurrent neural network, for composer Henry Vega.
I’ll be in Naarm (Melbourne), Australia as production manager and performer for S.J Norman’s Rest Area and Stone Tape Theory at Arts House Festival of Live Art, March 13–25, 2018.
In December, I’ll be having a short residency Wiesenburg Halle in Wedding, Berlin, to work on something new, very kindly arranged by Isabelle Schad and Wiesen 55 e.V.
S.J Norman’s Take This, For It Is My Body is at Blood exhibition at Science Gallery in Peckham, London, on October 28 and 29, 2017. I’ll be their production manager.
S.J Norman’s Rest Area is at Die Fabrikanten’s Spotter Trip — Live Art on the Danube in Ottensheim by Linz, Austria, on September 23 and 24, 2017. I’ll be their production manager and door bitch.
Melanie Lane’s Wonderwomen, for which I am artistic/rehearsal assistant has its Berlin première in HAU1, April 21-23, 2017.
Early November, I’ll be on tour with Isabelle Schad and her solo Fugen again, this time to Timișoara in Romania.
In October and November 2016, I’ll be Melanie Lane’s artistic/rehearsal assistant for her new work, Wonderwomen, premiering in Berlin at the end of November.
In August, I’m rehearsing Black Metal 1 in a short residency again in Wiesenburg Halle in Wedding, Berlin, very kindly arranged by Isabelle Schad and Wiesen 55 e.V.
I’ll be performing an excerpt from Black Metal 1 on June 28 at Autoteile in Kreuzberg, in Eat More Bondage // Film Evening, organised by Ann Antidote and Lun Ãrio.